On Behalf Of: Wise (the European Women's Studies Association)
نویسندگان
چکیده
This article examines the role and reputation of Ellen Terry, the most eminent British Shakespearean actress of the late-Victorian period, and the extent to which she interrogated her function on the eminently spectacular stage of London’s Lyceum theatre. The article contends that in her writing – her autobiography, annotations of playscripts and lectures – Terry self-consciously and deliberately repositions herself as a Shakespeare commentator, and hence as one no longer subject to the temporal and visual limitations of the spectacular stage.
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